Penlee Pendants

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The Penlee Pendant is a cylindrical 18k gold pendant whose surface is covered with staggered circular boss forms, connecting the Mesopotamian cylinder seal tradition, Celtic boss metalwork, and the Cornish Celtic heritage evoked by its name. Available in rose, white, and yellow gold. No gemstones. 3D designed, hand-finished in Sao Paulo.
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Raetih Earrings

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Raetih Earrings are a lunar calendar in 18k gold, four sinuous volutes descending a curved spine, each cradling a gemstone representing one of the four phases of the moon. Inspired by Mesopotamian, Egyptian, and global lunar traditions. Available in rose gold with ruby, white gold with sapphire, and yellow gold with diamond. 3D designed and hand-finished in Sao Paulo.
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Shanee Rings

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The Shanee Ring is a wide band in 18k gold featuring a sinusoidal wave-lattice pattern, a symbol found in mythology across Mesopotamia, Egypt, India, Norse, and Pre-Columbian traditions. Available in six metal configurations including three two-tone options. Hand-finished in Sao Paulo.
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Utty Ring

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A wide 18k gold band framed by polished rails, its surface covered by a precise crosshatch grid on a sand-brushed ground, a single polished ribbon cutting across the geometry like a thread pulled taut across a loom. Named for the ancient Sumerian word for weaving, the Utty ring is order and motion held in perfect tension. Each order includes one ring. Images show available color combinations.
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Vertius Earrings

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Vertius earrings carry the memory of the ziggurat, the great stepped temples of ancient Mesopotamia that rose between earth and heaven, painted in gold and bronze so that they burned like fire against the sky. A soaring triangular silhouette with a precision interior cutout frames a single luminous gemstone, ascending to a fine point as if reaching toward something divine.

Available in rose gold with ruby, white gold with sapphire, and yellow gold with diamond.

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Yshtar Earrings

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An angular geometric form of 18k gold rising and descending to sharp points, its border perforated with circles of varying sizes, an open diamond void at its heart. Named for Yshtar, the Babylonian Queen of Heaven whose name was written as a star, these earrings are sacred geometry made wearable: defined as much by what is absent as by what remains.
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